Sunday, September 13, 2015

FKA Twigs - M3LL155X

I don't know what the hell I'm doing.

M3LL155X, the new EP from FKA Twigs, has been out a full month, and I am just now deciding to give it a listen.


This is really interesting stuff from Twigs. She solicits help from producer Boots of Beyoncé fame, but this has Twigs' mark on every track. She has really picked up where Arca left off, becoming one of the most exciting producers going right now.

The production on this EP is so crazy, it's easy to get distracted from Twigs' vocals, but be sure you pay attention. Her performance is simultaneously powerful and delicate, and simply incredible.

The music is good, but the 16 minute video showcasing 4 of the songs is out of this world. I've always loved Twigs' music videos, but this is on another level. The portion for "In Time" starting at 6:28 includes some of the most badass dance scenes I've seen since Justin's "My Love" video. Don't be surprised if a video surfaces of me on YouTube re-enacting this video flawlessly.

That said, I need two backup dancers. Who's in?


Friday, August 28, 2015

All Aboard the Hype Train

The last part of 2015 is going to be simply nuts.

Last week, we got the incredible--I say again--incredible new album from Carly Rae Jepsen. If you haven't given this album a listen yet, do it. Especially if the only reason you haven't heard it yet is because it comes from the same pop darling who gave us "Call Me Maybe". Shed the chains that bind thee, brethren! There is a whole world waiting for you in the shiny landscapes of bubblegum pop! Listen to the song below and tell me that if it weren't for the subject matter, you would swear that Daft Punk was back to making ass shaking music again.


About a month ago, Krallice surprised everyone with a new album loaded onto bandcamp. Having heard Krallice briefly a couple years ago when they put out Years Past Matter, I figured I'd give it a listen. I hated Years Past Matter when I first heard it, and Ygg Hur was no different. However, like the first time I heard Oneohtrix Point Never, something kept drawing me back to this release. Having listened to the album a dozen times, I can confirm it is one of the weirdest albums I have ever heard, but I am completely hooked. Perhaps my love affair with Deathspell Omega earlier this year helped prepare me for this album. At least Deathspell gives you a tasty riff in between passages of utter chaos. Not Krallice. This thing is dense, spastic, and throat ripping for the entire duration. Here's the best introductory song I could come up with.


Speaking of Oneohtrix Point Never... HE'S RELEASING AN ALBUM IN NOVEMBER! I almost thought we were going to go an entire year without an OPN album. Thankfully sound master Daniel Lopatin will grace us with another sure-to-be-headfuck of an album before the year is out. Just listen to the clip below. If it's any indication of the album's sound, I don't think we are ready.


Also, my girl Joanna Newsom put out a music video teasing her album which is due in October. It sounds like she's continuing in the vein that she took on Have One On Me, which is a very good thing indeed. I absolutely love everything this woman puts on record, and owe her an incredible amount of gratitude for getting me through a particularly shitty time in my life. Love you JoNew.


Today while I was at work, I was thinking to myself "Gee, that Mgła sure is a swell band. I have all their music in my mp3 library, but heck, I might as well see if they're on bandcamp." And lo and behold... Not only do they have a new song up advertising their new album, but that album drops NEXT WEEK.



Now we will see how many times I can listen to "Exercises in Futility II" before the album's release on Friday. You can catch up by spamming the video below. In my excitement for this album to drop, I rushed home and purchased every LP, EP, and compilation in their discography. I've never bit the bullet before because you can only find their stuff in Europe so the shipping is astronomical. Leave it to the hype train to convince me that I could save on shipping if I just got it over with and purchased their entire discography. Makes sense to me shut up.


Saturday, August 15, 2015

My New Most-anticipated Release of 2015

2015 has been a solid year, in many parts thanks to the always excellent record label Gilead Media. They put out two of the best Black Metal albums I've heard in False's Untitled and Pale Chalice's Negate the Infinite and Miraculous. And don't forget the sort-of Gilead released The Departure of Consciousness from Fórn.

Outside Gilead, we got a return from one of the most extreme bands in my library, Napalm Death, and possibly (definitely) the best hip hop album I've ever heard in Kendricks' To Pimp a Butterfly.

Well done, 2015.

But we still have a quarter of the year to go, and I am super stoked about a number of albums. Recently, one album has my interest so pitted piqued I can't wait.

No, not Beach House.

Not even Joanna Newsom (although when this drops I will likely have a conniption)

Mutha. Fuckin. CARLY RAE JEPSEN.


I was not too familiar with Carly before yesterday. I mean, she had "Call Me Maybe", which has an excellent bridge that redeems the start-stop nature of the rest of the song, but that's really all I knew. There was definitely no reason for me to think that she'd ever see the light of day again. But her lead-off single "I Really Like You" caught my attention as it fell into that hyper-sweet synth-saturated pop that I am always drawn to, and yesterday I checked out the rest of her promotional singles from her upcoming album Emotion, and they are so good!

She's got this neo-retro 80's sound to these tracks that sound like she (or her producers) still have Random Access Memories on repeat in their hatchbacks. If Emotion is the result of such a shitty album, I think I can forgive Daft Punk.

Thank you Daft Punk.

Get some bubblegum and listen to the songs below. Emotion drops August 21.





Tuesday, June 23, 2015

Chelsea Wolfe - Carrion Flowers

On a scale from 1 to 10, how sad are you?

If your answer was "Eeyore", well than I have some good news for you!


Chelsea Wolfe just released a new music video in promotion of her new album last night, and it has me very excited! From the sound of this one song, it may just be shaping up to be the goth follow up to The Downward Spiral we always wanted.


Hell yeah, Chelsea! Turning that sadness into bone-crushing noise. Here's hoping there will be more black and white videos to come. I am a real sucker for that shit.

For those of you unfamiliar with her work, check out two of my faves of hers below. Be careful with that second one.






Tuesday, February 24, 2015

FebTunes

Björk - Vulnicura

As seems to be the case with most of Björk's recent albums, Vulnicura has some good songs, some a bit too pretentious, and a couple that just absolutely crush. "Stonemilker" instantly jumped into my hypothetical top 10 Björk songs list the instant I heard it. All hail Björk. Love you B.




Fórn - The Departure of Consciousness

Leave it to Doom bands to come up with more and more creative ways to say "death". The Departure of Consciousness is so hard to stop listening to. The composition on this album is damn near flawless. When you feel like you are caving under the weight of these songs, you are relieved with an instantly catchy riff or a softer instrumental interlude. The album swells and recedes with a natural grace of a black ocean. The final track is titled "Cerebral Intermission", which is too damn fitting. This track serves as a moment for the listener to reflect before track one comes crawling back, inviting the listener back into it's murky depths.



Napalm Death - Apex Predator - Easy Meat

Napalm Death is fucking intense. I realize I use the word "intense" a lot. But just listen to the clip below and try to pick a different word to describe them. 


Apex Predator - Easy Meat is an extremely unique record. The riffs are incredibly fast and at times incomprehensible, but the shining star for me are the vocals. They are absolutely terrifying. Not in an evil or creepy way like most metal, but more like an "I do believe that man might severely injure me" sort of way. When the vocalist isn't threatening to smash my face against the pavement, he is singing in a baritone-but-still-sort-of-yelling way that brings an excellent flavor to the album. 


Also, I just purchased tickets to see Napalm Death live this Saturday. Uh oh.

Thursday, January 29, 2015

Ludwig van Beethoven is the man.


Ludwig van Beethoven.

I have been meaning to write a blog post about my obsession with him and his music over the past year or so, but I always type a few sentences, realize it is too daunting of a task, and delete the entry.

That and the fact that everything I know about Beethoven is essentially pulled directly from various wikipedia pages. So, really, you could read that and be done with it.

But for those who don't read extensive wikipedia pages, I suppose I will do you a favor and tell you why Beethoven is one of the coolest motherfuckers in history.

First of all, he began playing piano at a very young age, and due to the recent hype surrounding Mozart, Ludwig's father decided to cash in on his son, advertising him as "the next Mozart". So, LVB was essentially the Beyonce of his time.

Ludwig traveled to Vienna(?) to seek out Mozart and learn from him. While there, he met Mozart and Mozart was impressed, but for one reason or another, Ludwig studied under Haydn instead.

Reading about how all these composers knew of each other in a time where recorded music didn't even exist is completely baffling to me. It also really made me think about how much I look forward to new music being released each Tuesday, and how there must have been some pianists who would anxiously await the new Beethoven Sonata to be published so they could take it home and hear it for the first time while they were playing it themselves.

Anyways, Beethoven has got to be one of the first real "punk rockers". He started out making the highly structured music in the Classical school and then one day was like "you know what, fuck it. I'm putting the Scherzo SECOND". This creativity, and belief that music was more than a display of technical prowess led to the creation of the Romantic school. Beethoven had something he wanted to say in his music, and it would be done his way, or he would yell at you for not understanding.

In fact, during the first movement of his 3rd symphony, there is a moment right before the Recapitulation where a lone french horn resumes the theme before the rest of the symphony joins in. It's a technique that we have heard in countless other pieces, but it was so new at the time that his assistant made a comment like "that idiot french horn came in too early". Beethoven, sure that someone would say something eventually, exploded. Calling the assistant "Swine! Cattle!"

Beethoven knew he was a fucking genius, and he knew that no one else could keep up. His famous 5th symphony has been described as "Fate knocking at the door", which is cool as shit. But those close to him report that he was actually walking through a park and heard a bird tweet a similar pattern. He heard this sweet bird and transformed the song into one of the most harrowing 8 notes in music history.

As he grew older, his hearing began to fade, his health began to decline, and his attitude toward others was erratic. Neighbors would report that he would sit at the piano for hours banging the same note over and over again with his head inside the piano, trying desperately to cling to his music and his livelihood.

By the time he composed the 9th symphony, he was nearly totally deaf. Stubborn as he was, he demanded that he conduct the opening performance of this symphony. The producer hired a second conductor to conduct alongside Beethoven to ensure the orchestra stay in time. At the end of the fourth movement, Beethoven was still waving furiously on the stand when the second conductor grabbed Ludwig and turned him to face the crowd in a standing ovation.

I've written a lot and I could go on about why I love this guy so much, but this is the moment that paints the ultimate picture of Beethoven in my mind. Passionate, furious, genius, and adored by those who hear his music.

When he died, a procession led his coffin down the streets of Bonn, Germany, the streets lined with the weeping populace. At his funeral, an orchestra played the second movement from his 3rd symphony. The most baller thing I've ever heard is composing your own funeral march.

Ludwig van Beethoven is the man.

Other fun facts:

He dedicated his 3rd symphony to Napoleon, a man who he idolized. When he heard that Napoleon had declared himself Emperor, Beethoven went into a rage, stating "So he is no more than a common mortal! Now, too, he will tread under foot all the rights of Man, indulge only his ambition; now he will think himself superior to all men, become a tyrant!". He then stormed over to the title page of his symphony and ripped it in half. It was then retitled: "Heroic Symphony, Composed to celebrate the memory of a great man".

His name, van Beethoven, is preceded by the fairly common "van" in Dutch, where his parents were from. However, in Germany, "vonn" was a prefix used to indicate nobility. He was able to take advantage of others assuming he was of higher blood than he really was and open doors that would not have been available to him as a non-noble.

It is said that upon the invention of the CD, it was designed to hold 74 minutes of music so that it could contain the entirety of Beethoven's 9th on one CD without breaks.


Saturday, December 20, 2014

D'Angelo and the Vanguard - Black Messiah


What's the saying? If at first you ignore your blog, blog blog again? I decided I'd come back and give this another shot, but I wanted to wait until the right album came along. 

Meet Black Messiah.

Before today, my knowledge of D'Angelo was limited solely to a music video in which he sings to the camera, ripped and naked, and subsequently caused every lady in America to lose their pants.

When I heard the hype that he released an album after a long absence, I just figured ladies had finally found their pants and were excited to lose them again. 

Watching SNL, there was an ad about the new album featuring the song "The Charade" and I was immediately intrigued. It sounded like a psychedelic R&B mish-mash of voices, a sound which I was not expecting at all from this record.

I immediately checked it out, and the entire thing is really excellent. It's smooth, funky, trippy, heart-ripping, head-bobbing music. My favorite part is I have no idea what D'Angelo's voice sounds like. Every track sounds like it has multiple singers on it, and none of them are your prototypical "lead vocalist" who sings above the others. 

Also, and I am no sound expert, but it sounds excellent. Everything is well-balanced and where it should be; both muddy and crisp all the same.

This album is well worth the hype.